REVIEW: Bad Candy (2021)
If any subgenre of horror could encapsulate how I feel about Halloween, it would be anthologies like Bad Candy.

If any subgenre of horror could encapsulate how I feel about Halloween, it would be anthologies like Bad Candy.
Walking through a nighttime forest, you’d think two people would have a lot to talk about — especially if they’re carrying a dead body.
It is rare that I am covering my eyes awaiting the horrors on screen. These scenes, however, had me shaking in my boots.
In I Know Exactly How You Die, every word a writer jots down inexplicably spells “death.”
Like taxidermy itself, The Taxidermist blurs the lines between art and the afterlife, filled to the brim with blood, guts, and twists at every turn. A man in need of money is propositioned to create a piece he has never attempted before: a human.
Although I try to be optimistic, excited, and willing to give things a shot, I do have some toxic traits from time to time. And what better time than the present to air them out!
I’d be the first in line for the coveted PSL. And when I took that first sip of this luxurious, creamy concoction… that’d be it. I wouldn’t finish it all. Surprised?
Older Gods is the Lovecraftian emotional thriller you’ve been wanting.
Extraterrestrial horror is one subgenre I wish I would see more of. Sometimes they can be silly, while others can be downright sinister. Anthony Columbus’ Alice and the Little Green Men is a short of the second kind. The 25 minutes of this film were jaw-dropping and at times, horrific, to say the least.