REVIEW — Rendezvous (2025)
What happens when a SAG-AFTRA strike keeps horror heads bored? They crank up the octane!
REVIEW — Above the Knee (Screambox Exclusive)
Screambox exclusive Above the Knee brings Body Integrity Dysphoria (BID) into the limelight with a thrilling story of a man and his disturbing relationship with a limb.
Music for Halloween Night (George Streicher)
George Streicher has once again managed to capture what it feels like to be a kid ruling the night on October 31st with his newest album, Music for Halloween Night.
REVIEW — Rough Cut
I have seen a few proofs of concept and generally they’re all good. Rough Cut is truly on another level.
REVIEW — Top Floor (2024)
The life of an influencer can be awesome: money, trips to exotic places, free merch, admiration. But along with that admiration comes hate and loathing. What secrets are we not being shown in these influencers’ perfect lives? Julia’s 12 million followers can’t help her as she grapples with the wrongs she’s done in her life….
REVIEW — Death’s Sonata (2024)
This unassuming study on mental health may seem like a run-of-the-mill drama. Death’s Sonata, however, features blood, a masked serial killer, and a caped herald of death.
REVIEW — When the Chain Breaks (Ryan Atkinson)
From the mind of Ryan Atkinson — horror fan and horror writer — comes When the Chain Breaks, a short story that will leave the hair on the back of your neck standing at attention in the moonlight.
REVIEW — Hishkenstien: After Dark (2024)
A 70s, grindhouse, fever dream, Hishkenstien: After Dark gave me the old school exploitation I’ve been craving.